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1968 1972 1991 2011 Egyptian Revolution accent Ahmad Abdalla Ahmed Zaki Algeria Algerian cinema Algerian Revolution Ali Suliman Al-Kitkat Al-Monitor Alwaleed bin Talal anarchism Another day in Baghdad Antonio Banderas Arab American National Museum Arab cinema Arab film Arab media auteur banned Barthes Bayoumi Beirut Ben Affleck Bessem Youssef Betrayal Black Gold Breathless Brendan Gleeson British Cannes Charles Laughton Charles Lloyd: Arrows into Infinity Chile Chronicle of the Years of Embers cinema cineme revolution civil war classic Colin Farrell Comedy controversial crime Cutouts of Memories cynicism Damien Chazelle Daoud Abdel Sayed dark comedy David Fincher Day of the Falcon Detroit Institute of Arts dialect Diary of a Country Prosecutor documentary Doha Film Institute Doha Tribeca Film Festival Donal Mosher Dorothy Darr drama DTFF Dubai Intternational Film Festival early cinema Egypitianzing Egypt egyptian Egyptian cinema Egyptian film Egyptian silent movies Egyptianess Ehab Tarabieh El-Kitkat Emma Stone epic erotic expressionism film film festival film history film industry film production football Freida Pinto gangster Ghassan Kanafani Gillian Flynn Gothic governmentality Hiam Abbas Hiroshima Mon Amour historic drama historical horror Hussein Kamal Ibrahim Aslan iconoclasm indie film indigenousness Ingmar Bergman interview Intolerance Iraq ISIL ISIS Israel James Agee jazz Jean Baudrillard Jean-Jacques Annaud Jeffery Morse John Legend Kamal Atiyah Khaled Abol Naga Khalid Ali La La Land Laila Marrakchi Land of Fear language Last Year at Marienbad Latin jazz Lebanese Lebanese cinema Lebanon lecture movie Lilian Gish list of Egyptian movies Los Angeles Mahmed Nedali Mahmoud Abdel Aziz Mark Strong Martin McDonagh matryrdom media studies medical humanities melodrama Memento Michael Palmieri misandry misanthropy misogyny Mohammed Lakhdar-Hamina mohannad ghawanmeh Moroccan Nadine Labaki Najwa Najjar National Arab Orchestra national cinema nationalism nationalist cinema Neil Patrick Harris Newt Gingrich Night of the Hunter nihilism nihlist cinema Off Label Omar Lotfi Omar Mullick Omar Sharif Pachachi Palestine Palestinian Palestino Palme d'Or Pier Paolo Pasolini Point Blank police brutality published Qasaqees ath-Thikrayat Qatar Qatari production Rags and Tatters Rashomon realism realist drama Robert Mitchum Rodney King Rosamund Pike Ryan Gosling satire Saudi Arabia Shelley Winters short film Shukri Sarhan silent cinema soccer social comedy social drama suicide suspense synhronized sound cinema Syria Syrian cinema Tahar Rahim Tarak Ben Ammar Tawfiq al-Hakim Tawfiq Saleh terrorism The Curious Case of Benjamin Button The Deceived The Duped The Dupes The Fruit Hunters The Godfather Part II The Machine Which Makes Everything Disappear The Man Who Shot Liberty Valance The Postman The Wages of Fear These Bird Walk thriller TIFF Tinatin Gurchiani Toronto International Film Festival transnational cinema transnationalism Two for the Road Tyler Perry Um-Hashim's Lantern US occupation Wadjda Wahhabism Walter Benjamin William Mitchell Woody Allen World Cup Yahya Haqqi Yasmina Khadra Yorgo Voyagis Yung Chang Ziad Doueiri أحمد زكي أرض الخوف الصدمه الكيت كات المخدوعون جناح الهوى داوود عبدالسيد قصاقيص الذكريات وقائع سنين الجمر وهلّأ لوين؟

 

About me:

Mohannad Ghawanmeh's expertise centers on Arab cinema, but extends into silent cinema, nonfiction cinema, transnational cinema, and religious cinema. Mohannad holds a PhD in Cinema and Media Studies from UCLA. He is recipient of the Teshome Gabriel Memorial Award, the Dr. Jack Shaheen Memorial Scholarship, the Otis Ferguson Memorial Award for Critical Writing, the Kemp R. Niver Scholarship in Film History, and a special mention from Domitor, the international society for the study of early cinema. Mohannad is Head of Development in Mimera Films and is engaged in two book projects, a cultural history of silent and early sound cinemas in Egypt, 1896–1934, and a monograph tentatively titled The Harem on the Screen.

Here is a current CV.

 

About Cinema Arabiata:

Cinema Arabiata borrows its name from the famed Italian Arrabbiata sauce. Hot and spicy just like my temperament, the sauce draws from the Italian word, meaning “angry.” But why angry? Because there is too much derivativeness, exploitation, insipidness and falsehood in cinema these days. Just as there is in popular US media coverage of Arabs it so happens. Cinema Arabiata aims to cover Arab cinema primarily, but not exclusively. Its ambition is to persuade my readers that cinema, including Arab cinema, has the demonstrated potential not only to inform and impact, but to profoundly move and inspire, to leave a lasting and indelible mark on the lives of it audiences. Cinema has helped shape me. I am better because of it. I invite you to celebrate it with me.

 

About Mizna:

Mizna is a forum for Arab American film, literature, and art. Mizna was founded in 1998 with the goal of providing a space for artists to present their creative work on their own terms, creating a counter dialog to that dictated by the predominant American culture. Mizna publishes Mizna: Prose, Poetry, and Art Exploring Arab America, the only journal of Arab American literature and has presented seven editions of the Twin Cities Arab Film Festival, as well as many other cultural events, featuring over 200 local and global writers, musicians, and artists.